Showing posts with label book I bought. Show all posts
Showing posts with label book I bought. Show all posts

Friday, July 10, 2026

55. Hand, Hand, Fingers Thumb



55. Hand, Hand, Fingers, Thumb. Al Perkins. 1969. Random House. 36 pages. [Source: Bought]

First sentence: Hand hand fingers thumb. One thumb one thumb drumming on a drum. One hand two hands drumming on a drum. Dum ditty dum ditty dum dum dum.

Premise/plot: What starts out as one monkey joyfully drumming ends with millions of monkeys jamming away on their drums. Perkins' book is a jazzy treat that delights readers old and new.

Favorite quotes:
"Hello Jack." "Hello Jake." Shake hands shake hands. Shake! Shake! Shake!
Hand in hand more monkeys come. Many more fingers. Many more thumbs. Many more monkeys. Many more drums. Millions of fingers! Millions of thumbs! Millions of monkeys drumming on drums!
My thoughts: Everything I learned about rhythm and rhyme I learned by reading this one. An exaggeration perhaps, there is also Dr. Seuss. But I tend to judge the quality of all other picture books attempting rhythm with this one. Most fail horribly. There is just something magical about this one. Yes, I grew up with it. Yes, I quote it all the time. I think the book is timeless and just about perfect.

Have you read it? What did you think?

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10


© 2026 Becky Laney of Young Readers

Wednesday, February 25, 2026

10. Great Day for Up



10. Great Day for Up. Dr. Seuss. Illustrated by Quentin Blake. 1974. Random House. 36 pages. [Source: Bought] [3 stars, early reader, beginning reader]

First sentence: Up! Up! The sun is getting up. The sun gets up. So UP with you!

Premise/plot: Do you like getting up in the morning? The book is gentle prompting to do just that. "Up" being the prominent word of the entire book. But does the narrator himself end up getting out of bed? Read and see for yourself!

My thoughts: I liked the "twist" ending. I did. Overall, I liked this one fine. I didn't love, love, love it. But it's certainly an entertaining enough read.

Have you read Great Day for UP! Did you like it? love it? hate it? I'd love to know what you thought of it!


© 2026 Becky Laney of Young Readers

Monday, January 5, 2026

1. The Animals of Farmer Jones



1. The Animals of Farmer Jones. Leah Gale. Illustrated by Richard Scarry. 1942. 32 pages. [Source: Bought, 4 stars, Golden Books, children's classic, farm stories]

First sentence: It is supper time on the farm. The animals are very hungry. But where is Farmer Jones?

Premise/plot: The Animals of Farmer Jones is a classic Little Golden Book. This one was originally published in 1942. Half the book is spent visiting ALL the animals on the farm--every one must make its sound after all--who want to know where Farmer Jones is. The other half of the book focuses on Farmer Jones visiting ALL the animals and feeding them.

My thoughts: Is this the most thrilling farm book? Perhaps it isn't. But it has all the elements you'd expect: a wide variety of farm animals, all the animal sounds, repetition of the text, predictability. The illustrations are by Richard Scarry. They are fabulous illustrations.

If reading about farm animals is part of your life now as a parent, a grandparent, a guardian, then you might as well read a few classics as well.

© 2026 Becky Laney of Young Readers

Monday, August 25, 2025

91. Frog and Toad Are Friends


91. Frog and Toad Are Friends. An I Can Read Book. Arnold Lobel. 1970. HarperCollins. 64 pages. [Source: Bought] [3 stars, early chapter book, children's classic, animal fantasy]

Frog ran up the path to Toad's house. He knocked on the front door. There was no answer, "Toad, Toad," shouted Frog, "wake up. It is spring!" "Blah," said a voice from inside the house. "Toad! Toad!" cried Frog. "The sun is shining! The snow is melting. Wake up!" "I am not here," said the voice.

Premise/plot: Frog and Toad Are Friends is an early chapter book. It contains five stories: "Spring," "The Story," "A Lost Button," "A Swim" and "The Letter."

In "Spring" Frog tricks Toad into thinking it is MAY (instead of April) so that he will wake up from his winter hibernation.

In "The Story," Frog asks his friend, Toad, to tell him a story. He finds this an impossible request. After a huge fit, Frog ends up telling Toad a story instead. It is a story of Toad NOT being able to tell a story.

In "A Lost Button," Toad throws an absolute fit over a lost button. He is the exact opposite of Pete the Cat. He is MELTING DOWN. Will the button be found?!

In "A Swim" Toad is embarrassed to be seen in his bathing suit. He is obstinate about it--obviously.

In "The Letter," Frog cheers up Toad by writing him a letter and sending it via snail mail. Literally--a snail delivering a letter.

My thoughts: I love Frog and Toad. I do. I just love them. While this isn't my favorite-or-best Frog and Toad book, it is still worth reading. It contains five stories: Spring, The Story, A Lost Button, A Swim, and The Letter.

My favorites from the collection include "Spring" in which Frog tricks his friend into getting out of bed by changing his calendar and "The Letter" in which Frog cheers up his friend by sending him a letter in the mail.

All the stories highlight this special friendship--highlights each character's strengths and weaknesses. I would definitely recommend any Frog and Toad book!

© 2025 Becky Laney of Young Readers

Wednesday, April 23, 2025

40. The Saggy Baggy Elephant

 

40. The Saggy Baggy Elephant. Kathryn and Byron Jackson. Illustrated by Gustav Tenggren. 1947. 24 pages. [Source: Library] [5 stars, picture book, golden book, children's classic]

First sentence: A happy little elephant was dancing through the jungle. He thought he was dancing beautifully, one-two-three-kick. But whenever he went one-two-three, his big feet pounded so that they shook the whole jungle. And whenever he went kick, he kicked over a tree or a bush.

Premise/plot: Sooki, an elephant, LOVES to do his one-two-three kick. The other animals, however, not so much loving it. In fact, their words--intentional or not--discourage him in many ways by their critical nature. He begins to feel like he doesn't quite belong. What joy when he finds other elephants who are just like him!

My thoughts: I love this one. I can't believe I've never reviewed it before! I definitely grew up with this classic Little Golden Book.

 

© 2025 Becky Laney of Young Readers

Tuesday, April 22, 2025

39. Umbrella

39. Umbrella. Taro Yashima. 1958/1977. 40 pages. [Source: Bought]

First sentence: Momo is the name of a little girl who was born in New York. The word Momo means "the peach" in Japan where her father and mother used to live. On her third birthday Momo was given two presents--red rubber boots and an umbrella! They pleased her so much that she even woke up that midnight to take another look at them.

Premise/plot: Momo received two gifts for her third birthday: red rubber boots and an umbrella. She loves, loves, loves her presents and she wants to use them right away! But of course it is not raining! Momo reluctantly waits and waits for the rain to come. One day it does!

Favorite quotes:

On the umbrella, raindrops made a wonderful music she never had heard before--
Bon polo
Bon polo
Ponpolo ponpolo
Ponpolo ponpolo
Bolo bolo ponpolo
Bolo bolo ponpolo
Boto boto ponpolo
Boto boto ponpolo
My thoughts: Whenever I'm asked what my favorite picture book from childhood is, I know exactly how to answer! Umbrella! I love, love, love the rhythm of it. The illustrations are amazing! I think I judge all other books by this one!

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10

 

 

© 2025 Becky Laney of Young Readers

Monday, January 13, 2025

4. Mustache Baby

 

4. Mustache Baby. Bridget Heos. 2016. HMH. 36 pages. [Source: Review copy]

First sentence: When Baby Billy was born, his family noticed something odd: He had a mustache.

Premise/plot: His parents anxiously wait to see if Baby Billy's mustache will turn out to be a "good-guy" mustache or a "bad guy" mustache. Readers see "Baby Billy" through his toddler years. And in fact, while most of the time his mustache is a good-guy mustache, there are SOME days when it is in fact, quite the opposite. "But a funny thing happened. As Billy got bigger...his mustache grew and curled up at the ends."

My favorite scene is probably when he robs a train: "A train robber so heartless that he even stole the tracks." The expression on his face is PRICELESS.

My thoughts: I loved this one. I wished I'd known about it when it first came out in 2013. I don't know how I missed such a great book. It is now available in board book format.

Text: 5 out of 5
Illustrations: 5 out of 5
Total: 10 out of 10

 

 

© 2025 Becky Laney of Young Readers

Tuesday, March 19, 2024

39. The Paper Doll Wedding


The Paper Doll Wedding. Hilda Miloche and Wilma Kane. 1954. 20 pages. [Source: Bought] [Vintage Golden Book, Little Golden Activity Book] 

First sentence: Are you coming to the wedding to see the bride and groom? Then hurry, do please hurry. It will be this afternoon.

Premise/plot: This INTERACTIVE Little Golden Book was published in 1954. At the front of the book, there's a page of paper dolls: the bride, the groom, the bridesmaid, the flower girl, and a cake topper. At the back of the book, there are clothes for the paper doll to wear--if you cut them out. There is also a paper trunk to construct to store the clothes. In the middle of this one is the story of the wedding. There are slots (if you choose to cut them) to slide your doll into the story. It essentially is a 'let's pretend' wedding scenario. 

My thoughts: I bought this one for $1. It was missing the flower girl, but all the other dolls were there. The clothes had not been cut out. I enjoy this one mainly for the vintage illustrations AND the premise. This is exactly the kind of book that I would have enjoyed as a kid. It's the kind of book that I can easily imagine my grandma buying for me. It would almost make sense--in a way--to want to buy two. One to play with and enjoy, and one to keep intact. The original cost was a quarter. I don't know how expensive (or inexpensive) a paper doll book would have been in the early to mid 1950s. The story was sweet and charming.

 

© 2024 Becky Laney of Young Readers

Tuesday, December 26, 2023

340. The 13-Story Treehouse


The 13-Story Treehouse: Monkey Mayhem! Andy Griffiths. Illustrated by Terry Denton. 2011. 256 pages. [Source: Bought]

First sentence: Hi, my name is Andy. This is my friend Terry. We live in a tree.

Premise/plot: Andy and Terry live in a treehouse--a LARGE treehouse at that. They write books together. They are past due for their current book, oh no! And they are having trouble concentrating on their work, their project. They keep getting distracted by MANY things (many monkey related, though somehow sea monsters also make an appearance). Will they ever finish their book? And if they do finish their book will children like you read it?

My thoughts: Very meta. I think this one may have kid appeal. I am NOT the target audience. The humor, in my opinion, is very age-specific. There's a target age group--or humor/maturity phase--that this one was written for directly. Granted humor is always subjective. It is the first in a series. 

 

© 2023 Becky Laney of Young Readers

Sunday, January 22, 2023

16. Cornelli


Cornelli. Johanna Spyri. 1892. 120 pages. [Source: Bought]

First sentence: Spring had come again on the banks of the Iller-Stream, and the young beech trees were swaying to and fro. One moment their glossy foliage was sparkling in the sunshine, and the next a deep shadow was cast over the leaves. A strong south wind was blowing, driving huge clouds across the sun.

Premise/plot: Cornelli Hellmut is an easy-going, pleasant daughter until her father goes away on an extended business trip leaving his cousin, Kitty Dorner, and another young woman, Miss Grideelen, to "educate" Cornelli. He returns to find Cornelli radically changed--and not for the better. He's puzzled, but thinks the solution is to send her away to boarding school. Dear, kind, loving Martha is a godsend. She is able to talk a little sense into both of them....

So Martha--dear that she is--let her spare room to a (sick) city boy, Dino Halm. (This was while Director Hellmut was away on business).  Dino and Cornelli become good friends despite a less than great first impression. So soon after her father's return, he receives a letter from Dino's mother requesting Cornelli come for a visit. (This is the kind of visit that happened on Gilligan's Island, not really, but still). 

When father and daughter are reunited--about eighteen months later???--he's in for a big surprise. (But this time a good one). 

My thoughts: I absolutely love, love, love Dino's family--his mom, Agnes, Niko, and Mux. I really like Cornelli. I did love Martha. So many of the characters just felt like FRIENDS within a short period of time. 

The story is old-fashioned certainly. It was originally published in 1892. It definitely has Christian themes and values. But I don't think it is as insufferable as it could have been. (I'll try to explain). The book that comes to mind is Elsie Dinsmore by Martha Finley. It is NOT as insufferable as that. (I made it through the first book and part of the second book). To clarify, having Christian themes and values does not make it automatically insufferable. It doesn't. But I think characters have to be developed (they are) and the dialogue has to be strong (it is). 

The book does have a tied in a neat bow ending. (I don't mind). There are some characters that are absolutely clueless and you wonder how they function at life. (The dad). There are some characters that you just want to yell and scream at (like the cousin and her friend). But I found it an engaging read. Definitely glad I read this one.

© 2023 Becky Laney of Young Readers

Tuesday, December 27, 2022

212. Best Christmas Pageant Ever


The Best Christmas Pageant Ever. Barbara Robinson. 1972. HarperCollins. 128 pages. [Source: Bought]

Is The Best Christmas Pageant Ever the best Christmas book ever? It might just be. I know I prefer it to Charles Dickens' A Christmas Carol. One reason why I do is because the book truly captures the getting-it moment, the moment when one realizes the true meaning of Christmas. A Christmas Carol may do an adequate job of "getting" the generosity of Christmas, but it is a Christ-less Christmas story. There is nothing in A Christmas Carol that would point you towards the real meaning of Christmas: the birth of a Savior. The Best Christmas Pageant does just that. And it doesn't sacrifice entertainment or humor. In fact, it is probably one of the funniest children's books ever. Here's how it opens:

The Herdmans were absolutely the worst kids in the history of the world. They lied and stole and smoked cigars (even the girls) and talked dirty and hit little kids and cussed their teachers and took the name of the Lord in vain and set fire to Fred Shoemaker's old broken-down toolhouse. The toolhouse burned right down to the ground, and I think that surprised the Herdmans. They set fire to things all the time, but that was the first time they managed to burn down a whole building. I guess it was an accident. I don't suppose they woke up that morning and said to one another, "Let's go burn down Fred Shoemaker's toolhouse"...but maybe they did. After all, it was a Saturday, and not much going on.
There are six Herdmans in all: Ralph, Imogene, Leroy, Claude, Ollie, and Gladys. The premise of this one is oh-so-simple: what if the yearly Christmas pageant was overrun with Herdmans? What if the WORST kids in town, possibly the WORST kids in the world, got the best roles in the Christmas pageant? What would it be like for the director(s)? What would it be like for the other kids? What would it be like for the audience? What no one was expecting was that the story itself would have an impact on the actors leading it to be THE BEST CHRISTMAS PAGEANT EVER.

It is narrated in the first person. I believe it is told from the perspective of the director's daughter. As I mentioned, it is hilarious and touching all at the same time. Though the 'touching' bit--the sentimental bit--is towards the very, very end.

I loved this one. I've read it again and again and again and again. It is well worth reading every year or every other year. It has a just-right feel about it. I think it is true enough to life. It captures the familiarity of the Christmas story. Almost everyone knows the story backwards and forwards. Everyone knows it so very well that none of the characters consider it. They don't process it or absorb it. But the Herdmans. Well. They have NEVER heard it. They don't find it boring or irrelevant. They find it absorbing and interesting. The details, big and small, are fresh to them. They are thinking of the story in a fresh way, in a human way. Not in a been-raised-in-church-my-whole-life way. So it captures the DRAMA of the Christmas story in a fresh way. Readers get a behind-the-scenes look at someone seeing/hearing the story for the very first time. The Herdmans take nothing for granted, assume nothing. They have questions, dozens and dozens of questions. The book isn't overly preachy either. It isn't that someone reads the story the first time, and all six kids suddenly decide to pray a little prayer and get baptized. It is not like that at all. Yet I can't help but seeing the spirit working in this story.

 

 

© 2022 Becky Laney of Young Readers

Saturday, July 10, 2021

75. Ways to Make Sunshine


Ways to Make Sunshine (Ryan Hart #1) Renee Watson. Illustrated by Nina Mata. 2020. [April] 177 pages. [Source: Bought]
 

First sentence: I am a girl with a name that a lot of boys have. So when the substitute teacher takes roll and calls out, “Ryan?” she looks surprised when I answer. I wish Ms. Colby were here.

Premise/plot: Ryan Hart starts in this realistic chapter book for young readers. Set in Portland, Oregon, Ryan is enjoying--or "enjoying" her last days as a fourth grader. Every day seems to have its challenges. Some days are super-fantastic and she's loving her life just as it is--cooking with and cooking for her family, hanging out with her friends, just living in the moment. Other days are less so. (And that's so realistic.) Some days she's anxious about things going on at school, at church, at home. (For example, at school and church there are a handful of opportunities where she'll have to face her fear of speaking in public--a church program and a talent show.) Her challenges at home include her family moving, struggling with money, and....something that will change everything forever. And then there's that PESKY brother, Ray. This is very much a character driven novel with each chapter being written almost episodic. 

My thoughts: I read the second book first. I really loved Ways to Grow Love. I loved it so much that I sought out the first book and BOUGHT it. I already knew some of what happened in this one because it's mentioned now and then in the second book. (Like what happened on Easter, what happened at the birthday party, etc.) I do recommend both books. I would love a long, long, long series starring Ryan Hart. 

One thing I appreciated in both books is that the Hart family is religious. The family attends church and believes in God. This shouldn't be so unusual that it stands out and is worth mentioning except this is so super rare in books. Normal, every day, ordinary, nothing-special faith-filled moments are excluded from most books. And if faith is mentioned in books, it is usually done in a negative way, something to rebel and react against. (Like the sooner you divorce yourself from faith the happier you will be.) Yet the book isn't preach-y. Just unassuming and natural. 

That being said--and I did find it very refreshing to have faith mentioned at all--I would hope the Easter service was more than just all the kids in Sunday School standing up and reciting poems and essays. Because if a Sunday School talent show--one kid did play a musical instrument--is ALL that the church does for Easter, well, I would leave wanting more.

I loved the characters, the setting, the relationships. This isn't an action-packed read with mysteries to unpack and bad guys to defeat. This is "just" a book that follows a girl through three to four months of the school year. It is all about the feels--her making sense of her life, how she's feeling, etc.

Quotes:

  • “I do not have a boy’s name. I have my name. My name is Ryan and Ryan means ‘king’ and that means I am a leader—”
  • Dad is always telling me our people come from royalty, that my ancestors lived in Africa and were kings and queens and inventors and hard workers. Mom tells me their strength is running through my veins.
  • My brother’s name is Raymond. We call him Ray. His name means “protector” and Dad says he should be keeping me, his little sister, safe. But mostly he is just bossy and nosy and sometimes he treats me like I am a glass thing that could break.
  • Here’s the thing about ice cream. No matter how sweet it is, no matter if it’s given to you even when you aren’t supposed to have it, no matter if you’re told you can come back for seconds—it doesn’t take away the sadness.
  • “How you wear your hair is your choice and no matter what you choose, it’s not going to determine if you’re beautiful or not. The only thing that will determine that is how you treat others. If you are mean to people, if you act ugly toward them, that’s what takes your beauty away.”
  • “I’m not a leader. I’m a girl who gets so scared standing in front of people that I freeze and forget my words. That’s not a good leader at all.”


© 2021 Becky Laney of Young Readers

Sunday, May 23, 2021

57. Five Children and It


Five Children and It (Five Children #1) E. Nesbit. 1902. 237 pages. [Source: Bought]

First sentence:  The house was three miles from the station, but before the dusty hired fly had rattled along for five minutes the children began to put their heads out of the carriage window and to say, 'Aren't we nearly there?' And every time they passed a house, which was not very often, they all said, 'Oh, is this it?' But it never was, till they reached the very top of the hill, just past the chalk-quarry and before you come to the gravel-pit. And then there was a white house with a green garden and an orchard beyond, and mother said, 'Here we are!'

I have now read Five Children and It four times. It's a children's book that I love and adore. It is not the fact that it is absolutely perfect, that it is flawless. It was very much written in 1902. There will be situations and/or sentences that reflect the times in which they were written, and not our times. In Five Children and It, I'm referring to the chapter on the children "playing Indian" and warring with a "Red Indian" tribe who wants to scalp them and eat them. The sad thing is that I almost mentally block this out every single time and so when I reread I'm cringing as if for the first time.

But. In spite of its flaws, in spite of the fact that its dated, I really do enjoy spending time with Robert, Cyril, Anthea, Jane, and Lamb.

Four children 'discover' a Sand Fairy (Psammead) one summer day. They learn that he can begrudgingly grant wishes. They have a wish per day, sometimes if they get into BIG trouble, he'll allow an extra wish or two. Do these children get into big trouble with their wishes?! Of course!!! Their wishes always have HORRIBLE consequences. They try and try to be smart and clever about their wishing, but some things can't be helped!

Favorite quotes:

Grown-up people find it very difficult to believe really wonderful things, unless they have what they call proof. But children will believe almost anything, and grown-ups know this. That is why they tell you that the earth is round like an orange, when you can see perfectly well that it is flat and lumpy; and why they say that the earth goes round the sun, when you can see for yourself any day that the sun gets up in the morning and goes to bed at night like a good sun as it is, and the earth knows its place, and lies as still as a mouse. Yet I daresay you believe all that about the earth and the sun, and if so you will find it quite easy to believe that before Anthea and Cyril and the others had been a week in the country they had found a fairy. At least they called it that, because that was what it called itself; and of course it knew best, but it was not at all like any fairy you ever saw or heard of or read about.
Each of the children carried its own spade, and took it in turns to carry the Lamb. He was the baby, and they called him that because “Baa” was the first thing he ever said. They called Anthea “Panther,” which seems silly when you read it, but when you say it it sounds a little like her name.
“You don’t know?” it said. “Well, I knew the world had changed — but — well, really — Do you mean to tell me seriously you don’t know a Psammead when you see one?” “A Sammyadd? That’s Greek to me.” “So it is to everyone,” said the creature sharply. “Well, in plain English, then, a Sand-fairy. Don’t you know a Sand-fairy when you see one?” It looked so grieved and hurt that Jane hastened to say, “Of course I see you are, now. It’s quite plain now one comes to look at you.” “You came to look at me, several sentences ago,” it said crossly, beginning to curl up again in the sand. “Oh — don’t go away again! Do talk some more,” Robert cried. “I didn’t know you were a Sand-fairy, but I knew directly I saw you that you were much the wonderfullest thing I’d ever seen.” The Sand-fairy seemed a shade less disagreeable after this.
It is wonderful how quickly you get used to things, even the most astonishing. Five minutes before, the children had had no more idea than you had that there was such a thing as a Sand-fairy in the world, and now they were talking to it as though they had known it all their lives.
We Sand-fairies used to live on the seashore, and the children used to come with their little flint-spades and flint-pails and make castles for us to live in. That’s thousands of years ago, but I hear that children still build castles on the sand. It’s difficult to break yourself of a habit.
I daresay you have often thought what you would do if you had three wishes given you, and have despised the old man and his wife in the black-pudding story, and felt certain that if you had the chance you could think of three really useful wishes without a moment’s hesitation. These children had often talked this matter over, but, now the chance had suddenly come to them, they could not make up their minds. “Quick,” said the Sand-fairy crossly. No one could think of anything, only Anthea did manage to remember a private wish of her own and Jane’s which they had never told the boys. She knew the boys would not care about it — but still it was better than nothing. “I wish we were all as beautiful as the day,” she said in a great hurry. The children looked at each other, but each could see that the others were not any better-looking than usual. The Psammead pushed out his long eyes, and seemed to be holding its breath and swelling itself out till it was twice as fat and furry as before. Suddenly it let its breath go in a long sigh. “I’m really afraid I can’t manage it,” it said apologetically; “I must be out of practice.” The children were horribly disappointed. “Oh, do try again!” they said. “Well,” said the Sand-fairy, “the fact is, I was keeping back a little strength to give the rest of you your wishes with. If you’ll be contented with one wish a day among the lot of you I daresay I can screw myself up to it. Do you agree to that?” “Yes, oh yes!” said Jane and Anthea. The boys nodded. They did not believe the Sand-fairy could do it. You can always make girls believe things much easier than you can boys.

“Humph!” said the Sand-fairy. (If you read this story aloud, please pronounce “humph” exactly as it is spelt, for that is how he said it.)
And that, my dear children, is the moral of this chapter. I did not mean it to have a moral, but morals are nasty forward beings, and will keep putting in their oars where they are not wanted. And since the moral has crept in, quite against my wishes, you might as well think of it next time you feel piggy yourself and want to get rid of any of your brothers and sisters. I hope this doesn’t often happen, but I daresay it has happened sometimes, even to you!
It was a long day, and it was not till the afternoon that all the children suddenly decided to write letters to their mother.
“Darling Mother, — I hope you are quite well, and I hope Granny is better. The other day we....” Then came a flood of ink, and at the bottom these words in pencil — “It was not me upset the ink, but it took such a time clearing up, so no more as it is post-time. — From your loving daughter “Anthea.”
Robert’s letter had not even been begun. He had been drawing a ship on the blotting paper while he was trying to think of what to say. And of course after the ink was upset he had to help Anthea to clean out her desk, and he promised to make her another secret drawer, better than the other. And she said, “Well, make it now.” So it was post-time and his letter wasn’t done. And the secret drawer wasn’t done either.
Cyril wrote a long letter, very fast, and then went to set a trap for slugs that he had read about in the Home-made Gardener, and when it was post-time the letter could not be found, and it was never found. Perhaps the slugs ate it.
Jane’s letter was the only one that went. She meant to tell her mother all about the Psammead, — in fact they had all meant to do this, — but she spent so long thinking how to spell the word that there was no time to tell the story properly, and it is useless to tell a story unless you do tell it properly, so she had to be contented with this — “My dear Mother Dear, — We are all as good as we can, like you told us to, and the Lamb has a little cold, but Martha says it is nothing, only he upset the gold-fish into himself yesterday morning. When we were up at the sand-pit the other day we went round by the safe way where carts go, and we found a” — Half an hour went by before Jane felt quite sure that they could none of them spell Psammead. And they could not find it in the dictionary either, though they looked. Then Jane hastily finished her letter — “We found a strange thing, but it is nearly post-time, so no more at present from your little girl, “Jane. “P.S. — If you could have a wish come true what would you have?”
Anthea woke at five. She had made herself wake, and I must tell you how it is done, even if it keeps you waiting for the story to go on. You get into bed at night, and lie down quite flat on your little back, with your hands straight down by your sides. Then you say “I must wake up at five” (or six, or seven, or eight, or nine, or whatever the time is that you want), and as you say it you push your chin down on your chest and then whack your head back on the pillow. And you do this as many times as there are ones in the time you want to wake up at. (It is quite an easy sum.) Of course everything depends on your really wanting to get up at five (or six, or seven, or eight, or nine); if you don’t really want to, it’s all of no use. But if you do — well, try it and see. Of course in this, as in doing Latin proses or getting into mischief, practice makes perfect. Anthea was quite perfect.
“I was always generous from a child,” said the Sand-fairy. “I’ve spent the whole of my waking hours in giving. But one thing I won’t give — that’s advice.” “Child,” said the Sand-fairy sleepily, “I can only advise you to think before you speak” — “But I thought you never gave advice.” “That piece doesn’t count,” it said. “You’ll never take it! Besides, it’s not original. It’s in all the copy-books.”

Anthea was late for breakfast. It was Robert who quietly poured a spoonful of molasses down the Lamb’s frock, so that he had to be taken away and washed thoroughly directly after breakfast. And it was of course a very naughty thing to do; yet it served two purposes — it delighted the Lamb, who loved above all things to be completely sticky, and it engaged Martha’s attention so that the others could slip away to the sand-pit without the Lamb.
© 2021 Becky Laney of Young Readers

Tuesday, March 23, 2021

37. Bubba and Beau Meet the Relatives


Bubba and Beau Meet the Relatives. Kathi Appelt. Illustrated by Arthur Howard. 2004. 32 pages. [Source: Bought]

First sentence: "The relatives are coming!" cried Mama Pearl.

Premise/plot: In their third adventure, Bubba and Beau survive meeting the relatives! It all starts when Mama Pearl learns that family is coming to visit. That sets everything in motion. It is all good fun at first--especially the mud hole. But they won't survive this day without whining and tears.

She dressed Bubba in his brand-new sailor suit. Bubba hated that sailor suit. It was tight. It was stiff. It was scratchier than the toilet brush. Beau got a new bandana. Yuck!

But once the family arrives, then things really get going! 

My thoughts: Bubba and Beau Meet the Relatives is a GREAT addition to this series. I definitely prefer it to the second book. It is just as good as the first book, Bubba and Beau Best Friends. I loved every moment of this one. The narration is FUN, CUTE, CHARMING. Perhaps a tiny bit precious. But anytime the text starts to get too sweet and precious, enter the MUD HOLE.

I would recommend all three books in this series.

 

© 2021 Becky Laney of Young Readers

36. Bubba and Beau Go Night-Night


Bubba and Beau Go Night-Night. Kathi Appelt. Illustrated by Arthur Howard. 2003. 32 pages. [Source: Bought]

First sentence: Bubba and Beau love to go bye-bye. Whenever Big Bubba went to town, he packed those two up in his trusty pickup, Earl, and off they went. 

Premise/plot: Bubba and Beau are back for their second adventure. In this one, Bubba and Beau spend their day with Big Bubba (Bubba's daddy, of course). It is a long, tiring day--with plenty of fun and excitement. So why aren't Bubba and Beau ready to go to bed?!?! How could they not be as tired as Mama Pearl and Big Bubba?!

My thoughts: I enjoyed this one! I would definitely recommend reading the first book first. (Bubba and Beau Best Friends.) This second book captures the fun and excitement of a summer day. (It is my best guess that it is summer. They go watermelon thumping and get ice cream too!) It is just as cute and charming as the first book in terms of narrative style.

I think my favorite part was when everyone got ice cream with PLENTY OF NAPKINS. There was just something JOYFUL and wonderful about the illustrations.

It was nice to see a father in a picture book doing a lot of the child care. That isn't always the case. Mama Pearl has a keeper in Big Bubba. 

© 2021 Becky Laney of Young Readers

35. Bubba and Beau Best Friends


Bubba and Beau, Best Friends. Kathi Appelt. Illustrated by Arthur Howard. 2002. 32 pages. [Source: Bought]

First sentence: Meet Bubba. Bubba is the son of Big Bubba and Mama Pearl. Right after Bubba was born, Mama Pearl wrapped him in his soft pink blankie and whispered into both of his soft pink ears, "I love you, Bubba Junior." She sighed. He was the perfect little Bubba.

Premise/plot: Bubba (the baby) and Beau (the puppy) are BEST friends. This picture book is written in small chapters. Each chapter written to perfection to highlight the awesomeness of Bubba, Beau, and their blanket. There are many good and happy days in Bubbaville, but this picture book chooses to include a very SAD day in Bubbaville as well. What will happen when Mama Pearl dares to WASH the blanket?!?!

My thoughts: Bubba and Beau, Best Friends has to be one of my absolute favorite, favorite, favorite picture books. It is perfectly perfect I tell you. I love the setting. (It is set in Texas.) I love the characters. I love the illustrations. (Now when I see Arthur Howard I think Mr. Putter and Tabby.) But most of all I love the words--the narrative flavor and flow.

One of my favorite quotes:

It didn't take long for Bubba and Beau to become best friends. For one thing, they both went around on all fours. They were both keen on chewing. Neither one was house-trained. And they could howl to beat the band. They also had a mutual affection for MUD. And a mutual disdain for soap. Sister, those two got along.

Honestly, I could quote the whole book. That's how much I love it. The best books become part of the fabric of our lives, become a part of ourselves. Even though I was an adult in 2002--in library school to be exact--this book is part of me. 

ETA: There was a short period of time last year when I thought I lost my copy of Bubba and Beau Best Friends. And let me tell you IT WAS A SAD DAY IN BUBBAVILLE. Fortunately, I found it and all was right with the world again. 

© 2021 Becky Laney of Young Readers

Thursday, January 28, 2021

8. "Stand Back," Said the Elephant, "I'm Going to Sneeze!"


"Stand Back," Said the Elephant, "I'm Going to Sneeze!" Patricia Thomas. Illustrated by Wallace Tripp. 1971. 32 pages. [Source: Bought]

First sentence: "Stand back," said the elephant, "I'm going to sneeze! I hate to alarm you, but I don't wish to harm you. My friends, I fear it's clear...oh, dear, you'd better stand back, I'm going to sneeze."

Premise/plot: ALL of Elephant's friends are super-concerned about the coming sneeze. And perhaps rightly so...considering their past experiences when elephant has sneezed! Every animal tells--in rhyme, of course--what happens when this elephant sneezes. But one animal has a plan...will it work????

My thoughts: I can relate to the protagonist in this one. I can. I have very LOUD sneezes--though it isn't so much gust as NOISE. (Spoiler alert, I also LAUGH really, really, really loud....again just like the elephant in this story.) I don't have personal memories of holding this book in my hand and reading it. But I do remember plenty of times when my mother has told me, STAND BACK, SAID THE ELEPHANT, I'M GOING TO SNEEZE. So I'm guessing that this one was read aloud to us plenty...I just don't remember. 

It is written all in rhyme. I didn't love it or hate it. It's not as wonderful as say a Dr. Seuss book written in rhyme. But it wasn't dreadful either. (So many books that are written in rhyme tend to show the struggle author's have to force it. Forced rhyming just isn't fun for anyone, right?!)

Despite being a picture book with thirty-two pages, there is a LOT of text per page. So it wouldn't be inappropriate in a second or even third grade classroom. It would work as a read aloud, of course, but probably only for a child with a long(er) attention span. You could even ask questions throughout--what do you think is going to happen next? Do you think elephant is going to sneeze? do you think bees really crawl on their knees?! Or is the author being silly?! 

Definitely recommend this one.

© 2021 Becky Laney of Young Readers

Thursday, January 14, 2021

4. Stink: The Incredible Shrinking Kid


Stink: The Incredible Shrinking Kid. (Stink #1) Megan McDonald. Illustrated by Peter H. Reynolds. 2005. 112 pages. [Source: Bought]

First sentence: Shrimp-o! Runtsville!    Shorty Pants! Stink was short. Short, shorter, shortest. Short as an inchworm. Short as a . . . stinkbug!

Premise/plot: Stink is the little brother of Judy Moody. (I recently reviewed the first book in that series.) He is SHORT and perhaps a wee bit gullible. When his older sister, Judy, tells him that he is in fact shrinking, he believes it and begins to see proof of it everywhere. But is he really shrinking? And is being short so horrible? (After all, he's just in second grade.) The book presents scenes at home and at school. There are a handful of illustrations throughout. 

My thoughts: I enjoyed this one! I may have even liked it a little bit better than the first Judy Moody book. I liked seeing Stink become interested in history--even if it did start out as a homework assignment. Stink's newfound interest in James Madison was just fun to see! 

Stink and James Madison were a lot alike. James Madison was from Virginia. Stink was from Virginia. James Madison had the name James. Stink had the name James! James Madison wore pants. Stink wore pants! Same-same!

I would recommend this one. 

 

© 2021 Becky Laney of Young Readers

Wednesday, January 6, 2021

3. Judy Moody Was In A Mood


Judy Moody Was In A Mood. (Judy Moody #1) Megan McDonald. Illustrated by Peter H. Reynolds. 2000/2020. 160 pages. [Source: Bought]

First sentence: Judy Moody did not want to give up summer. She did not feel like brushing her hair every day. She did not feel like memorizing spelling words. And she did not want to sit next to Frank Pearl, who ate paste, in class. Judy Moody was in a mood.

Premise/plot: Judy Moody adjusts to starting a new grade--third--and making new friends in Megan McDonald's Judy Moody Was In A Mood. It is the first in a LONG series. Judy is predictably unique and quirky. And she predictably has a little BOTHER of a brother nicknamed STINK. Her adventures or misadventures at home and school are illustrated by Peter H. Reynolds. 

My thoughts: I definitely enjoyed this one! I don't know that I loved it so much that I want to read the entire series start to finish. But I definitely liked the writing style and layout. Her humor wasn't always in line with me--at least me as an adult. But it's a strong like for me. 

 

© 2021 Becky Laney of Young Readers

Monday, January 4, 2021

2. Pinocchio


Pinocchio. Carlo Collodi. 1883. 160 pages. [Source: Bought]

First sentence: Centuries ago there lived-- "A king!" my little readers will say immediately. No, children, you are mistaken. Once upon a time there was a piece of wood. It was not an expensive piece of wood.

Premise/plot: Pinocchio, as a character, is rotten from the start: selfish, pleasure-loving, foolish, rebellious, ungrateful, disrespectful, slow to learn, slow to listen, slow to change. Living by the motto of if I want to do it, it must be right! Who are you to tell me it's wrong or it's a mistake or I'm hurting someone else!

But Pinocchio doesn't know best, he doesn't "know" much of anything of the world and its many dangers. He knows nothing about consequences natural or supernatural. (There are so many fantasy elements in Pinocchio.)

The Disney movie gives viewers essentially three misadventures (the puppet show ("I've Got No Strings), his running away to toy land (becoming a donkey), and searching for his father and getting swallowed up. The book gives readers about three or four dozen misadventures. 

My thoughts: This is the third time I've read Pinocchio. I wanted to read it after recently watching the Disney movie for the first time in forever--probably twenty or twenty-five years. 

The movie left me with the impression that I am GLAD that God is not like the blue fairy. That while the movie is very moralistic and lesson-driven, it's teaching works-righteousness. In other words, bad behavior is punished and good behavior is rewarded. If you want to become a real boy--you'll have to earn it by works of righteousness. You reap what you sow. 

The movie also gives the impression that temptations come from without. Pinocchio was innocent and naive while in the home. It wasn't until he left his home--to go to school--that he faced temptation and wasn't strong enough to say no. If he'd been homeschooled and never left the safety of his home, would he have ever been naughty? Disney doesn't answer that, of course. But it made me wonder just how short a movie it could have been.

In the book, temptations don't only come from without. In fact, they come from within. (In other words, we sin because we're sinners.) We see this in his creation:

After choosing the name for his Marionette, Geppetto set seriously to work to make the hair, the forehead, the eyes. Fancy his surprise when he noticed that these eyes moved and then stared fixedly at him. Geppetto, seeing this, felt insulted and said in a grieved tone: "Ugly wooden eyes, why do you stare so?"
After the eyes, Geppetto made the nose, which began to stretch as soon as finished. It stretched and stretched and stretched till it became so long, it seemed endless. Poor Geppetto kept cutting it and cutting it, but the more he cut, the longer grew that impertinent nose. In despair he let it alone. Next he made the mouth. "Stop laughing!" said Geppetto angrily; but he might as well have spoken to the wall. "Stop laughing, I say!" he roared in a voice of thunder. The mouth stopped laughing, but it stuck out a long tongue.  "Pinocchio, you wicked boy!" he cried out. "You are not yet finished, and you start out by being impudent to your poor old father. Very bad, my son, very bad!" And he wiped away a tear. The legs and feet still had to be made.
As soon as they were done, Geppetto felt a sharp kick on the tip of his nose. "I deserve it!" he said to himself.
When his legs were limbered up, Pinocchio started walking by himself and ran all around the room. He came to the open door, and with one leap he was out into the street. Away he flew!

Pinocchio wasn't corrupted by bad companions and poor decisions. He was "born" naughty.

Gepetto regretted carving Pinocchio almost from the start! 

While there is a friendly cricket offering advice, Pinocchio KILLS HIM fairly soon after his introduction in the text. He doesn't even survive one page!

"Tell me, Cricket, who are you?" "I am the Talking Cricket and I have been living in this room for more than one hundred years." "Today, however, this room is mine," said the Marionette, "and if you wish to do me a favor, get out now, and don't turn around even once." "Woe to boys who refuse to obey their parents and run away from home! They will never be happy in this world, and when they are older they will be very sorry for it." "Sing on, Cricket mine, as you please. What I know is, that tomorrow, at dawn, I leave this place forever. If I stay here the same thing will happen to me which happens to all other boys and girls. They are sent to school, and whether they want to or not, they must study. As for me, let me tell you, I hate to study! It's much more fun, I think, to chase after butterflies, climb trees, and steal birds' nests."
"Poor little silly! Don't you know that if you go on like that, you will grow into a perfect donkey and that you'll be the laughingstock of everyone?" "Keep still, you ugly Cricket!" cried Pinocchio. But the Cricket, who was a wise old philosopher, instead of being offended at Pinocchio's impudence, continued in the same tone: "If you do not like going to school, why don't you at least learn a trade, so that you can earn an honest living?"
"That of eating, drinking, sleeping, playing, and wandering around from morning till night."
"Let me tell you, for your own good, Pinocchio," said the Talking Cricket in his calm voice, "that those who follow that trade always end up in the hospital or in prison." "Careful, ugly Cricket! If you make me angry, you'll be sorry!" "Poor Pinocchio, I am sorry for you." "Why?" "Because you are a Marionette and, what is much worse, you have a wooden head." Perhaps he did not think he would strike it. But, sad to relate, my dear children, he did hit the Cricket, straight on its head. With a last weak "cri-cri-cri" the poor Cricket fell from the wall, dead!

Pinocchio's greatest gift--if you don't count disobedience or willfulness as gifts--is making excuses and justifying his behavior and beliefs. And also, of course, LYING.


"Boys always promise that when they want something," said Geppetto. "I promise to go to school every day, to study, and to succeed--" "Boys always sing that song when they want their own will." "But I am not like other boys! I am better than all of them and I always tell the truth. I promise you, Father, that I'll learn a trade, and I'll be the comfort and staff of your old age."

VeggieTales offers a better adaptation called Pistachio: The Little Boy that Woodn't. It isn't 100% faithful to the book, mind you. But it is definitely more faithful to the book than the Disney movie. It also does a better job of putting the morals and lessons into context. It is complemented by the PARABLE OF THE PRODIGAL SON and highlights unconditional love. It also has some great lines in it! 

 

Quotes:

  • "Do you want to double your gold pieces?" "What do you mean?" "Do you want one hundred, a thousand, two thousand gold pieces for your miserable five?" "Yes, but how?" "The way is very easy. Instead of returning home, come with us."
  • As he walked, Pinocchio noticed a tiny insect glimmering on the trunk of a tree, a small being that glowed with a pale, soft light. "Who are you?" he asked. "I am the ghost of the Talking Cricket," answered the little being in a faint voice that sounded as if it came from a far-away world. "What do you want?" asked the Marionette. "I want to give you a few words of good advice. Return home and give the four gold pieces you have left to your poor old father who is weeping because he has not seen you for many a day." "Tomorrow my father will be a rich man, for these four gold pieces will become two thousand." "Don't listen to those who promise you wealth overnight, my boy. As a rule they are either fools or swindlers! Listen to me and go home." "But I want to go on!" "The hour is late!" "I want to go on." "The night is very dark." "I want to go on." "The road is dangerous." "I want to go on." "Remember that boys who insist on having their own way, sooner or later come to grief." "The same nonsense. Good-by, Cricket." "Good night, Pinocchio, and may Heaven preserve you from the Assassins." There was silence for a minute and the light of the Talking Cricket disappeared suddenly, just as if someone had snuffed it out. Once again the road was plunged in darkness.
  • To speak sensibly, I think assassins have been invented by fathers and mothers to frighten children who want to run away at night. And then, even if I were to meet them on the road, what matter? I'll just run up to them, and say, 'Well, signori, what do you want? Remember that you can't fool with me! Run along and mind your business.'
  • "Drink this, and in a few days you'll be up and well." Pinocchio looked at the glass, made a wry face, and asked in a whining voice: "Is it sweet or bitter?" "It is bitter, but it is good for you." "If it is bitter, I don't want it." "Drink it!" "I don't like anything bitter." "Drink it and I'll give you a lump of sugar to take the bitter taste from your mouth." "Where's the sugar?" "Here it is," said the Fairy, taking a lump from a golden sugar bowl. "I want the sugar first, then I'll drink the bitter water." "Do you promise?" "Yes." The Fairy gave him the sugar and Pinocchio, after chewing and swallowing it in a twinkling, said, smacking his lips: "If only sugar were medicine! I should take it every day." "Now keep your promise and drink these few drops of water. They'll be good for you." Pinocchio took the glass in both hands and stuck his nose into it. He lifted it to his mouth and once more stuck his nose into it. "It is too bitter, much too bitter! I can't drink it." "How do you know, when you haven't even tasted it?" "I can imagine it. I smell it. I want another lump of sugar, then I'll drink it."
  • The Fairy sat looking at him and laughing. "Why do you laugh?" the Marionette asked her, worried now at the sight of his growing nose. "I am laughing at your lies." "How do you know I am lying?" "Lies, my boy, are known in a moment. There are two kinds of lies, lies with short legs and lies with long noses. Yours, just now, happen to have long noses." Pinocchio, not knowing where to hide his shame, tried to escape from the room, but his nose had become so long that he could not get it out of the door.
  • I have never obeyed anyone and I have always done as I pleased.
  • "I never should have thought that chick-peas could be so good!" "You must remember, my boy," answered the Pigeon, "that hunger is the best sauce!"
  • "Oh, I'm tired of always being a Marionette!" cried Pinocchio disgustedly. "It's about time for me to grow into a man as everyone else does." "And you will if you deserve it--" "Really? What can I do to deserve it?" "It's a very simple matter. Try to act like a well-behaved child." "Don't you think I do?" "Far from it! Good boys are obedient, and you, on the contrary--" "And I never obey." "Good boys love study and work, but you--" "And I, on the contrary, am a lazy fellow and a tramp all year round." "Good boys always tell the truth." "And I always tell lies." "Good boys go gladly to school." "And I get sick if I go to school. From now on I'll be different." "Do you promise?" "I promise. I want to become a good boy and be a comfort to my father.
  • Where shall I hide? Oh, how much better it would have been, a thousand times better, if only I had gone to school! Why did I listen to those boys? They always were a bad influence! And to think that the teacher had told me--and my mother, too!--'Beware of bad company!' That's what she said. But I'm stubborn and proud. I listen, but always I do as I wish. And then I pay. I've never had a moment's peace since I've been born! Oh, dear! What will become of me? What will become of me?"
  • The boy's real name was Romeo, but everyone called him Lamp-Wick, for he was long and thin and had a woebegone look about him. Lamp-Wick was the laziest boy in the school and the biggest mischief-maker, but Pinocchio loved him dearly.
  • "And where are you going?" "To a real country--the best in the world--a wonderful place!" "What is it called?" "It is called the Land of Toys. Why don't you come, too?" "I? Oh, no!" "You are making a big mistake, Pinocchio. Believe me, if you don't come, you'll be sorry. Where can you find a place that will agree better with you and me? No schools, no teachers, no books! In that blessed place there is no such thing as study. Here, it is only on Saturdays that we have no school. In the Land of Toys, every day, except Sunday, is a Saturday. Vacation begins on the first of January and ends on the last day of December. That is the place for me! All countries should be like it! How happy we should all be!"
  • "But I don't want to be digested," shouted Pinocchio, starting to sob. "Neither do I," said the Tunny, "but I am wise enough to think that if one is born a fish, it is more dignified to die under the water than in the frying pan." "What nonsense!" cried Pinocchio. "Mine is an opinion," replied the Tunny, "and opinions should be respected."
  • "Bravo, Pinocchio! In reward for your kind heart, I forgive you for all your old mischief. Boys who love and take good care of their parents when they are old and sick, deserve praise even though they may not be held up as models of obedience and good behavior. Keep on doing so well, and you will be happy."           

© 2021 Becky Laney of Young Readers